21. 다음 글의 밑줄 친 부분 중, 어법상 틀린 것은

 

We take it for granted that film directors are in the game of recycling. Adapting novels ①is one of the most respectable of movie projects, while a book that calls itself the novelization of a film is considered barbarous. Being a hybrid art as well as a late one, film has always been in a dialogue with ②other narrative genres. Movies were first seen as an exceptionally potent kind of illusionist theatre, the rectangle of the screen corresponding to the proscenium of a stage, ③ which appear actors. Starting in the early silent period, plays were regularly “turned into” films. But ④ filming plays did not encourage the evolution of what truly was distinctive about a movie: the intervention of the camera ―its mobility of vision. As a source of plot, character, and dialogue, the novel seemed more ⑤suitable. Many early successes of cinema were adaptations of popular novels.   * proscenium: 앞무대

 

1. 내용풀이

문맥상 the proscenium of a stage를 선행사로 하는 <전치사+관계대명사>의 형태가 되어야 하므로, which가 on which로 바뀌어야 함.

 

2. 구문해설

① [We take it for granted that film directors are in the game of recycling. Adapting novels ①is one of the most respectable of movie projects, while a book (that calls itself the novelization of a film) is considered barbarous.]

 

※ take it for granted that~:~을 당연하게 여기다(it:가목적어/that~:진목적어) ※one of the 최상급 +복수명사: ~가장 ~한것중의 하나 ※while: 반면에 ※ a book (that calls itself the novelization of a film) is considered barbarous: that은 주격관계대명사로 a book 을 가리키고 있으며 itself 또한 book을 가리킴. ※the novelization of a film:영화의 소설화    → 우리는 영화감독들이 재활용 게임을 하고 있다는 것을 당연시한다. 소설을 각색하는 것은 가장 훌륭한 영화 프로젝트들 중 하나인 반면, 영화를 소설화했다고 하는 책은 상스럽게 여겨진다.

 

② [Being a hybrid art as well as a late one, film has always been in a dialogue with other narrative genres.]  ※ Being a hybrid art as well as a late one = As film was a hybrid art as well as a late one(=art). → 후발 예술이면서 동시에 혼합 예술이기도 한 영화는 다른 서사 장르와 항상 대화를 해왔다.

 

③ [Movies were first seen as an exceptionally potent kind of illusionist theatre, the rectangle of the screen (which is) corresponding to the proscenium of a stage, on which appear actors.]

 

※ an (exceptionally potent) kind of illusionist theatre: (특별히 유력한) 일종의 마술 공연장 = the rectangle of the screen: 직사각형 모양의 화면 = the proscenium of a stage:앞 무대. ※ on which appear actors: 여기서 which는 주격이 아니며, 전치사 on의 목적어 임에 유의 하세요→ 도치된 문장입니다. 원문장은 on which actors appear → actors appear (on the proscenium of a stage).     → 직사각형 모양의 화면이 배우가 출연하는 앞무대와 유사하게 보이면서, 초기에 영화는 특별히 유력한 일종의 마술 공연장으로 보였다.

 

④ [Starting in the early silent period, plays were regularly “turned into” films. ]

→ 초창기 무성 영화기를 시발점으로 연극은 자주 영화로 ‘전환’되었다.

 

⑤ [But filming plays did not encourage the evolution of what truly was distinctive about a movie: the intervention of the camera ―its mobility of vision.]

※ what truly was distinctive about a movie(영화에 있어서 정말로 독특했던 점→what은 선행사를 포함한 관계대명사) = the intervention of the camera(카메라의 개입) = its mobility of vision(시각적인 기동성)   →하지만 연극을 영화화하는 것은 영화의 진정한 독특함, 즉 카메라의 개입, 다시 말해 그것의 시각적 기동성의 발전을 조장하지 못했다.