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  µ¿½ÃÁ¢¼ÓÀÚ:     0197
 
ÀÛ¼ºÀÏ : 12/11/19
2013Çг⵵ ¼ö´É ¿Ü±¹¾î ¿µ¿ª 46-47¹ø Çؼ³
 ±Û¾´ÀÌ : songgok
Á¶È¸ : 6,265  
   2013-(46-47).hwp (96.0K)

2013³â ¼ö´É ¿Ü±¹¾î ¿µ¿ª 46-47¹ø Á¤´ä ¹× Çؼ³ - ¼Û°î´åÄÄ(songgok.com)
 
[46~47] ´ÙÀ½ ±ÛÀ» Àаí, ¹°À½¿¡ ´äÇϽÿÀ.
 
What should writers do when they¡¯re teased by intriguing but elusive ideas, by hints of thoughts that seem too vague to be expressed in words? Edgar Allan Poe¡¯s advice is simple: They should pick up their pens (or, he might add today, power up their laptops). Poe dismisses the argument that any ideas are so deep or subtle that they¡¯re ¡°                                               .¡±   ¡°For my own part,¡± he said in an 1846 article in Graham¡¯s Magazine, ¡°I have never had a thought which I could not set down in words, with even more distinctness than that with which I conceived it.¡± The ¡°mere act¡± of writing, Poe believed, helps writers make their ideas not only clearer but more logical. To use his phrase, the process of writing contributes to ¡°the logicalization of thought.¡±   Whenever he felt dissatisfied with a vague ¡°conception of the brain,¡± Poe said, ¡°I resort forthwith to the pen, for the purpose of obtaining, through its aid, the necessary form, consequence and precision.¡± Today¡¯s advocates of freewriting would probably agree with Poe on this point. Sometimes, the best way to resolve a dilemma ¡ª whether it¡¯s a writing dilemma or a thinking dilemma ¡ª is simply to start writing.
 
46. À§ ±ÛÀÇ Á¦¸ñÀ¸·Î °¡Àå ÀûÀýÇÑ °ÍÀº?
¨ç Begin at the End
¨è Think with Your Pen
¨é Pleasure of Freewriting
¨ê Ideas Too Vague to Be Real
¨ë Make It Clear, Make It Logical
 
47. À§ ±ÛÀÇ ºóÄ­¿¡ µé¾î°¥ ¸»·Î °¡Àå ÀûÀýÇÑ °ÍÀº?
¨ç incapable of drawing attention
¨è in danger of being empty
¨é against the writer¡¯s will
¨ê beyond the compass of words
¨ë appreciated only by a privileged few
 
1. ³»¿ëÇ®ÀÌ
46. ÀÛ°¡¿¡°Ô ÀÖ¾î ¸»·Î Ç¥ÇöÇϱ⿡ ³Ê¹«³ª ¸ðÈ£ÇÑ °ÍÀÌ ÀÖÀ» ¶§ Edgar Allan Poe´Â ±Û ¾²´Â ÀÏ(ÁýÇÊ)À» ½ÃÀÛÇ϶ó°í Ãæ°íÇÏ°í ÀÖÀ¸¹Ç·Î ÀÌ ±ÛÀÇ Á¦¸ñÀ¸·Î °¡Àå ÀûÀýÇÑ °ÍÀº ¨è ¡®´ç½ÅÀÇ ÆæÀ¸·Î »ý°¢Ç϶ó¡¯ÀÌ´Ù. ¡æ ¨ç ³¡¿¡¼­ ½ÃÀÛÇ϶ó ¨é ÀÚÀ¯ ÀÛ¹®ÀÇ Áñ°Å¿ò ¨ê ½ÇÇöµÇ±â¿¡´Â ³Ê¹« ¸ðÈ£ÇÑ »ý°¢µé ¨ë ¸í·áÇÏ°Ô ÇÏ¿©, ³í¸®ÀûÀ¸·Î ¸¸µé¾î¶ó
 
47. Edgar Allan Poe´Â Á¤ÀÇÇϱ⠾î·Á¿î »ý°¢À̳ª ¸»·Î Ç¥ÇöÇϱ⿡ ³Ê¹«³ª ¸ðÈ£ÇÑ °ÍÀÌ ÀÖÀ» ¶§¿¡´Â ÆæÀ» µé°í ±Û ¾²´Â °Í(ÁýÇÊ)À» ½ÃÀÛÇ϶ó°í Ãæ°íÇÏ°í ÀÖÀ¸¹Ç·Î, ºóÄ­¿¡ µé¾î°¥ ³»¿ëÀ¸·Î °¡Àå ÀûÀýÇÑ °ÍÀº ¨ê ¡®¸»ÀÇ ¹üÀ§¸¦ ³Ñ¾î¼±¡¯ÀÌ´Ù. ¡æ ¨ç ÁÖÀǸ¦ ²ø ¼ö ¾ø´Â ¨è °øÇãÇØÁú À§Ç輺ÀÌ ÀÖ´Â ¨é ÇÊÀÚÀÇ ÀÇÁö¿¡ ¹ÝÇÏ´Â ¨ë Ư±ÇÀ» Áö´Ñ ¼Ò¼ö¿¡ ÀÇÇؼ­¸¸ ÀÌÇصǴÂ
 
2. ±¸¹®Çؼ³
¨ç [What should writers do / when they¡¯re teased by intriguing but elusive ideas,/ by hints of thoughts that seem too vague to be expressed in words? Edgar Allan Poe¡¯s advice is simple:]   ¡Øintriguing but elusive ideas:¸Å¿ì Èï¹Ì·ÓÁö¸¸ Á¤ÀÇÇϱâ Èûµç »ý°¢µé ¡Ø hints of thoughts:»ý°¢µéÀÇ ¾Ï½Ã ¡ØthatÀº ÁÖ°Ý°ü°è´ë¸í»ç ¡Øseem too vague to be expressed in words: ³Ê¹« ¸ðÈ£Çؼ­ ¸»·Î Ç¥ÇöµÇ±â ¾î·Á¿î °Íó·³ º¸ÀÌ´Â(¸»·Î Ç¥ÇöµÇ±â¿¡ ³Ê¹« ¸ðÈ£ÇØ º¸ÀÌ´Â: too~to   ¡æ¾ÆÁÖ Èï¹Ì·ÓÁö¸¸ Á¤ÀÇÇϱ⠾î·Á¿î »ý°¢µé, ¸»·Î Ç¥ÇöÇϱ⿡´Â ³Ê¹«³ª ¸ðÈ£ÇÑ °Í °°Àº »ý°¢µéÀÇ ¾Ï½Ãµé·Î ±«·Î¿ï ¶§ ÀÛ°¡µéÀº ¹«¾ùÀ» ÇØ¾ß Çϴ°¡? Edgar Allan PoeÀÇ Ãæ°í´Â °£´ÜÇÏ´Ù.
 
¨è [They should pick up their pens (or, he might add today, power up their laptops). Poe dismisses the argument (=) that any ideas are so deep or subtle that they¡¯re ¡°beyond the compass of words.¡±]   ¡Øso ~ that: ³Ê¹« ~Çؼ­ ~ÇÏ´Ù  ¡Ødismiss ¹¬»ì[ÀÏÃà]ÇÏ´Ù, ¹ö¸®´Ù ¡Ø the argument ¿Í thatÀÌÇÏ´Â µ¿°Ý   ¡æ±×µé(ÀÛ°¡µé)Àº ±×µéÀÇ ÆæÀ» µé¾î¾ß ÇÑ´Ù (ȤÀº ±×´Â ¿À´Ã³¯¿¡´Â ±×µéÀÇ ³ëÆ®ºÏ ÄÄÇ»Å͸¦ ÄѶó°í µ¡ºÙÀÏ °ÍÀÌ´Ù). Poe´Â ¾î¶² »ý°¢ÀÌ ¸Å¿ì ½É¿ÀÇÏ°í ¹Ì¹¦Çؼ­ ±×°ÍµéÀº ¡°¸»ÀÇ ¹üÀ§¸¦ ³Ñ¾î¼±´Ù¡±´Â ÁÖÀåÀ» ÀÏÃàÇÑ´Ù.
 
¨é [¡°For my own part,¡± (he said in an 1846 article in Graham¡¯s Magazine,) ¡°I have never had a thought (which) I could not set down in words, with even more distinctness than that with which I conceived it.¡±]
 
¡Øset down = write down: Àû´Ù, ±â·ÏÇÏ´Ù  ¡Øwhich´Â ¸ñÀû°Ý °ü°è´ë¸í»ç ¡ØI have never had a thought (which) I could not set down in words: ±Û·Î ±â·ÏÇÒ ¼ö ¾ø´Â »ý°¢À» °¡Á®º» ÀûÀÌ ¾ø´Ù(¸ðµç »ý°¢µéÀº ±Û·Î ±â·ÏÇÒ ¼ö ÀÖ´Ù)  ¡Øeven more: ÈξÀ ´õ ¡Øwith distinctness:¸í·áÇÏ°Ô(with + Ãß»ó¸í»ç = ºÎ»ç) ¡Ø than that with which I conceived it: ³»°¡ ¸¶À½¿¡ Ç°¾úÀ» ¶§ÀÇ ¸íÈ®ÇÔº¸´Ù ¡ç that = distinctness, it=thought ⇛ I conceived it with distinctness. ⇛ ÀÌ ±¸¹® ÀÌÇØ°¡ °¡½Ã³ª¿ä...? Áß¿äÇÑ ±¸¹®À̶ó^^¡ç¡ç°¡Àå ¸¹Àº Áú¹®À» ¹ÞÀº ±¸¹®ÀÔ´Ï´Ù.... Àß »ý°¢ÇØ º¸¼¼¿ä^^    ¡æ±×´Â (1846³â Graham¡¯s Magazine¿¡ ½Ç¸° ±Û¿¡¼­) ¡°³ª·Î¼­´Â, »ý°¢À» Ç°¾úÀ» ¶§ÀÇ ¸íÈ®ÇÔº¸´Ù ÈξÀ ´õ ¸íÈ®ÇÔÀ» °¡Áö°í, ±Û·Î ÀûÀ» ¼ö ¾ø´Â »ý°¢À» °¡Á®º» ÀûÀÌ ¾ø´Ù.¡±¶ó°í ¸»Çß´Ù.
 
¨ê [The ¡°mere act¡± of writing, (Poe believed,) helps writers make their ideas / not only clearer but more logical.]  ¡ØThe ¡°mere act¡± of writing:±Û ¾²´Â ´Ü¼øÇÑ Çൿ  ¡Ønot only ¨Í but also ¨Î = not merely ¨Í but also ¨Î =¨Î as well as ¨Í: ¨Í»Ó¸¸ ¾Æ´Ï¶ó¨Î   ¡æPoe´Â ±Û ¾²´Â ÀÏ(ÁýÇÊ)À̶ó´Â ±× ¡°´Ü¼øÇÑ Çൿ¡±Àº ÀÛ°¡°¡ ÀÚ½ÅÀÇ »ý°¢À» ´õ ¸íÈ®ÇÏ°Ô ÇÒ »Ó¸¸ ¾Æ´Ï¶ó ´õ ³í¸®ÀûÀ¸·Î ¸¸µéµµ·Ï µµ¿ÍÁØ´Ù°í ¹Ï¾ú´Ù.
 
¨ë [To use his phrase, the process of writing contributes to ¡°the logicalization of thought.¡±]     ¡ØTo use his phrase = If we use his phrase  ¡æ±×ÀÇ °ü¿ë±¸¸¦ ÀÌ¿ëÇϸé, ÁýÇÊÀÇ °úÁ¤Àº ¡°»ç°íÀÇ ³í¸®È­¡±¿¡ ±â¿©ÇÑ´Ù.
 
¨ì [Whenever he felt dissatisfied with a vague ¡°conception of the brain,¡± Poe said, ¡°I resort forthwith to the pen, for the purpose of obtaining, (through its aid,) the necessary form, consequence and precision.¡±]   ¡Øresort to~: ~¿¡ ÀÇÁ¸ÇÏ´Ù ¡Øforthwith Áï½Ã ¡Øfor the purpose of = with a view to ~ing: ~ÇÒ ¸ñÀûÀ¸·Î, ~Çϱâ À§ÇÏ¿© ¡Øthrough its aid: ±×°Í(Ææ)ÀÇ µµ¿òÀ» ÅëÇØ(its = pen)    ¡ØobtainÀÇ ¸ñÀû¾î´Â the necessary form, consequence and precision.  ¡æ ¸ðÈ£ÇÑ ¡°µÎ³úÀÇ °³³ä¡±À¸·Î ºÒ¸¸Á·À» ´À³¥ ¶§¸¶´Ù Poe´Â ¡°³ª´Â ÆæÀÇ µµ¿òÀ¸·Î, ÇÊ¿äÇÑ Çü½Ä, °á°ú ±×¸®°í Á¤È®¼ºÀ» ¾òÀ» ¸ñÀûÀ¸·Î Áï½Ã Ææ¿¡ ÀÇÁ¸ÇÑ´Ù.¡±°í ¸»Çß´Ù.
 
¨í [Today¡¯s advocates of freewriting would probably agree with Poe on this point. Sometimes, the best way to resolve a dilemma ¡ª whether it¡¯s a writing dilemma or a thinking dilemma ¡ª is simply to start writing.] ¡Øon this point:ÀÌ·¯ÇÑ Á¡¿¡¼­   ¡æ ¿À´Ã³¯ÀÇ ÀÚÀ¯ ÀÛ¹® ¿ËÈ£·ÐÀÚµéÀº ¾Æ¸¶µµ ÀÌ·¯ÇÑ Á¡¿¡¼­ Poe¿¡°Ô µ¿ÀÇÇÒ °ÍÀÌ´Ù. ¶§¶§·Î, ÀÛ¹®ÀÇ µô·¹¸¶ÀÌµç »ç°íÀÇ µô·¹¸¶ÀÌµç µô·¹¸¶¸¦ ÇØ°áÇÏ´Â °¡Àå ÁÁÀº ¹æ¹ýÀº ´Ü¼øÈ÷ ÁýÇÊÀ» ½ÃÀÛÇÏ´Â °ÍÀÌ´Ù.
 
3. ´Ü¾îÁ¤¸®
*tease ±«·ÓÈ÷´Ù, Èñ·ÕÇÏ´Ù, ³î¸®´Ù *intriguing ¾ÆÁÖ Èï¹Ì·Î¿î(very interesting) *elusive Á¤ÀÇÇϱ⠾î·Á¿î, ÀÌÇØÇϱ⠾î·Á¿î *hint ¾Ï½Ã *power up Àü¿øÀ» ³Ö´Ù *set down ±â·ÏÇÏ´Ù, Àû¾îµÎ´Ù(write down) *distinctness ¸íÈ®ÇÔ, ºÐ¸íÇÔ *conceive ¸¶À½¿¡ Ç°´Ù, ´À³¢´Ù*logical ³í¸®ÀûÀΡæ¨Úlogicalization ³í¸®È­ *feel dissatisfied with~: ~¿¡ ºÒ¸¸Á·À» ´À³¢´Ù *vague ¸ðÈ£ÇÑ *dismiss ¹¬»ì[ÀÏÃà]ÇÏ´Ù, ¹ö¸®´Ù, ÇØ°íÇÏ´Ù *compass ¹üÀ§, ÇÑ°è, ³ªÄ§ÆÇ *for my own part ³ª·Î¼­´Â *forthwith °ð, Áï½Ã *resort to~: ~¿¡ ÀÇÁöÇÏ´Ù *for the purpose of:~Çϱâ À§ÇÏ¿©(= with a view to ~ing) *precision Á¤È®, ¸í·á *advocate ¿ËÈ£ÀÚ, ¿ËÈ£ÇÏ´Ù *privilege Ư±Ç
 
4. Àü¹®Çؼ®
¾ÆÁÖ Èï¹Ì·ÓÁö¸¸ Á¤ÀÇÇϱ⠾î·Á¿î »ý°¢µé, ¸»·Î Ç¥ÇöÇϱ⿡´Â ³Ê¹«³ª ¸ðÈ£ÇÑ °Í °°Àº »ý°¢µéÀÇ ¾Ï½Ãµé·Î ±«·Î¿ï ¶§ ÀÛ°¡µéÀº ¹«¾ùÀ» ÇØ¾ß Çϴ°¡? Edgar Allan PoeÀÇ Ãæ°í´Â °£´ÜÇÏ´Ù. ±×µé(ÀÛ°¡µé)Àº ±×µéÀÇ ÆæÀ» µé¾î¾ß ÇÑ´Ù(ȤÀº ±×´Â ¿À´Ã³¯¿¡´Â ±×µéÀÇ ³ëÆ®ºÏ ÄÄÇ»Å͸¦ ÄѶó°í µ¡ºÙÀÏ °ÍÀÌ´Ù). Poe´Â ¾î¶² »ý°¢ÀÌ ¸Å¿ì ½É¿ÀÇÏ°í ¹Ì¹¦Çؼ­ ±×°ÍµéÀº ¡°¸»ÀÇ ¹üÀ§¸¦ ³Ñ¾î¼±´Ù¡±´Â ÁÖÀåÀ» ÀÏÃàÇÑ´Ù. ±×´Â 1846³â Graham¡¯s Magazine¿¡ ½Ç¸° ±Û¿¡¼­ ¡°³ª·Î¼­´Â, »ý°¢À» Ç°¾úÀ» ¶§ÀÇ ¸íÈ®ÇÔº¸´Ù ÈξÀ ´õ ¸íÈ®ÇÔÀ» °¡Áö°í, ±Û·Î ÀûÀ» ¼ö ¾ø´Â »ý°¢À» °¡Á®º» ÀûÀÌ ¾ø´Ù.¡±¶ó°í ¸»Çß´Ù. Poe´Â ±Û ¾²´Â ÀÏ(ÁýÇÊ)À̶ó´Â ±× ¡°´Ü¼øÇÑ Çൿ¡±Àº ÀÛ°¡°¡ ÀÚ½ÅÀÇ »ý°¢À» ´õ ¸íÈ®ÇÏ°Ô ÇÒ »Ó¸¸ ¾Æ´Ï¶ó ´õ ³í¸®ÀûÀ¸·Î ¸¸µéµµ·Ï µµ¿ÍÁØ´Ù°í ¹Ï¾ú´Ù.   ±×ÀÇ °ü¿ë±¸¸¦ ÀÌ¿ëÇϸé, ÁýÇÊÀÇ °úÁ¤Àº ¡°»ç°íÀÇ ³í¸®È­¡±¿¡ ±â¿©ÇÑ´Ù. ¸ðÈ£ÇÑ ¡°µÎ³úÀÇ °³³ä¡±À¸·Î ºÒ¸¸Á·À» ´À³¥ ¶§¸¶´Ù Poe´Â ¡°³ª´Â ÆæÀÇ µµ¿òÀ¸·Î, ÇÊ¿äÇÑ Çü½Ä, °á°ú ±×¸®°í Á¤È®¼ºÀ» ¾òÀ» ¸ñÀûÀ¸·Î Áï½Ã Ææ¿¡ ÀÇÁ¸ÇÑ´Ù.¡±°í ¸»Çß´Ù. ¿À´Ã³¯ÀÇ ÀÚÀ¯ ÀÛ¹® ¿ËÈ£·ÐÀÚµéÀº ¾Æ¸¶µµ ÀÌ·¯ÇÑ Á¡¿¡¼­ Poe¿¡°Ô µ¿ÀÇÇÒ °ÍÀÌ´Ù. ¶§¶§·Î, ÀÛ¹®ÀÇ µô·¹¸¶ÀÌµç »ç°íÀÇ µô·¹¸¶ÀÌµç µô·¹¸¶¸¦ ÇØ°áÇÏ´Â °¡Àå ÁÁÀº ¹æ¹ýÀº ´Ü¼øÈ÷ ÁýÇÊÀ» ½ÃÀÛÇÏ´Â °ÍÀÌ´Ù.
 
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